YA is more popular than ever, but what does this term mean, other than being an acronym for “Young Adult”? Approximately 55% of people who buy YA books are over the age of 18, and 28% of all YA books are bought by people between the ages of 30 and 44. The boundary between YA and plain old A simply disappears. The box office is dominated by PG and PG-13 films about superheroes and CGI dinosaurs and wizards and animated films about toys and anthropomorphic animals, while TV teems with dragons, elves, and kids of the 80s battling supernatural entities.
The most bleak diagnosis of this phenomenon is that the culture has been scaled to an alarming degree; However, a more optimistic reading might consider that the fantasies and childish wonders of people are no longer stifled by growth. In this happy-go-lucky mindset, the YA type is really just the YAHA type – the young at heart.
30 years ago, it might have been safe to assume that Lockwood & Co. It would be a great series for teens and middle school kids, because it’s an imaginative, lively, and thoughtful show about ghosts, talent, power, and friendship. today is Netflix A series about teen ghost hunters might have been so beloved by 40 years ago. Who knows anymore? Regardless, Lockwood & Co. is an exciting series for young people, although it may be a bit silly and predictable for older people. However, young adults are likely to still be happy.
Lockwood & Co. About a haunted alternate reality
Lockwood & Co. It joins the ranks of many other YA series in recent years, but outshines many of them (except for the unfortunately canceled ones Paper girls). That’s because it features interesting yet surprisingly simple world-building, thanks to the books by Jonathan Stroud.
The series takes place in an alternate timeline where something known as “The Problem” first occurred nearly five decades ago. In this version of reality, ghosts have begun to haunt the world at a fast, dangerous, and clearly visible pace, and there is no discussion of their existence anymore. It became a huge economic and political problem, but strangely enough, children began to develop psychological abilities to detect and react.
This has led to what is essentially a thriving child labor business model, with international conglomerates and smaller companies vying to bring in, train and hire young people to exorcise ghosts. Unfortunately, it is a job with a high mortality rate, but the problem has created seismic turmoil in the global economy, and the employment provided by ghost hunting agencies provides decent money for the families of these children.
Lucy Ruby Stokes leads Lockwood & Co.
Since the problem disrupted the timeline decades ago, technology hasn’t advanced much since the 1980s. No smartphones, no PCs, few modern conveniences and comforts. world Lockwood & Co., which is set primarily in London, feels like the permanent gray days of Margaret Thatcher’s reign. Like some steampunk titles, the series feels simultaneously very old and somehow in the distant future. The world these characters live in seems almost timeless, which makes sense — when the afterlife is a proven phenomenon, time kind of loses its meaning.
Of course, children are controlled by adults, but adults do not have the talents, as they are called. Many children naturally develop this psychic ability to spot ghosts through one of three sensory talents – sight, hearing, and touch. Lucy is listening. More than that, it’s a miracle. Incredibly talented but hugely underappreciated, Lucy (Ruby Stokes) takes the blame when a mission goes awry, resulting in the deaths of several colleagues. Of course, the adults blamed her, and even her mother, a bad act, didn’t believe her. One night, Lucy Carlyle climbed out of her window in the north of England and headed for London.
The children are fine
There are large ghost hunting groups in London, such as the highly regarded Fittes Agency, the first of its kind. Without finishing her fourth year of training, Lucy is rejected everywhere she goes until she lands at Lockwood & Company, the small agency of Anthony Lockwood (Cameron Chapman) and his friend George (Ali Haji Hashmati).
The lunatic runs the asylum here – Lockwood is 18, lives in his dead parents’ house, and runs his own agency, the only one without any adult supervision. They continue to work despite being despised by other agencies, and interfered with by DEPRAC (Department of Psychological Research and Control), a subsidiary of Scotland Yard.
Lucy joins these two misfits, who are far more arrogant than they have any apparent reason, and the three attempt to make a name for themselves. Unfortunately, at the end of the day, they’re just kids, so mistakes are made, feelings are hurt, buildings are burned, jobs are ruined, and so on.
How old is Lockwood’s target audience?
Likewise, at the end of the same day, Lockwood & Co. It seems to be for children. This isn’t a bad thing, as there needs to be exciting, imaginative, anti-authoritarian programming like this for young adults to enjoy, and if viewers are the “young adults at heart” type who watch Spongebob Squarepants And you still talk about it Harry Potter or transformers In their 30s and 40s, they are likely to enjoy it, too.
Lockwood & Co. Seems to strike a middle ground between a super fun kids show Gravity Falls and a classic sci-fi horror drama The X-Files; It’s a PG-13 horror thriller. Again, there’s absolutely nothing wrong with that, and it allows some of the series’ glitches, annoyances, and vulnerabilities to make sense.
For adults, Lucy is the only likable character here, with others varying degrees of obnoxiousness. Children, though, will likely find George’s antisocial bitterness hilarious, and think Lockwood’s volatility and smugness quite fascinating. Adults are likely to identify with much of the main storylines and tones of dialogue; For children, this may allow easier access to the show’s world and characters.
Lockwood & Associates is an audiovisual treatment
The center of this Venn diagram, something both kids and adults will likely agree on, is just that Lockwood & Co. It looks great. The series contrasts the dusty, monochromatic melancholy of an almost Dickensian London with the elaborate Baroque appliances, homes, and artifacts of a world obsessed with ghosts. In fact, if H.G. Wells and Charles Dickens had collaborated, it might have produced something close to it Lockwood & Co.
The makeup, costume, editing, and large visual effects departments all work well together, and although the series features some different writers and directors, it’s visually cohesive. This is mostly due to director Joe Cornish (Attack the forbiddenAnd Show Adam and Joe), who ran most of the show; He wrote and directed the first episode, setting the pace for everything to come. Many of his projects have involved children fighting threats that adults can’t handle, and his themes are appropriate Lockwood & Co. Like a glove.
The Corniche has great taste and is eclectic in music, the soundtrack and sound department are great here. Drawing on post-punk cuts for the first half of the show (Bauhaus, The Cure, Siouxie and the Banshees, This Mortal Coil), the soundtrack has evolved to include some soulfully resonant pop. The result sounds like a continuous deconstruction of a Bauhaus song Death of Bela Lugosiand the sound design uses its own extended scratches and sounds to create a truly supernatural auditory palette.
It’s hard to say who is anything anymore. Everything everywhere at once May win Best Picture and a sequel to Best It was the second-highest-grossing film of 2022. Adult Love Weird things, a show about kids becoming teenagers and fighting monsters. It’s a strange world, and it’s hard to tell who’s young and who’s an adult. Maybe to display like Lockwood & Co.which looks cool and has some really interesting world-building stuff, it doesn’t matter.
Lockwood & Co. is a full fantasy production and its eight hour episodes will be available to stream on Netflix starting January 27th.